WHO ARE WE, WE ARE WHO?
"Who are we, we are who?"

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Afrojesters are characters (or caricatures) that function as philosophical jesters, reflecting our collective human experience.
They portray every facet of who we are, the good, the bad, the ugly, the beautiful, the chaotic, and the emotional, expressed through a playful, colorful, exaggerated, and surreal visual language.

While Afrojesters are Black in expression, many of the experiences they depict are universal. Their Blackness is not confined to a single definition, narrative, or geography; they exist within the nuance of Blackness, moving across countless worlds at once.

Afrojesters imagine Black figures as free, playful, complex, deeply human, and unbound, embodying infinite possibilities of existence.

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The Afrojester universe is split into 3 worlds. 

➫ The Playground

➫ The Archive

➫ Press Play

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The Playground is the origin world, home to original paintings and the birthplace of Afrojesters. It is a boundless, vibrant world where memory, dream, and reality Intersect.

Each work tells a story.

Playful on the surface and introspective beneath, the works of the Playground capture human behavior, allowing viewers to recognize themselves within the imagery.

 

The Archive is where Afrojesters take functional form.
It is an ecosystem for functional art and decor, where afrojesters are designed on tangible, ownable objects.

This is a space where people can own a part of the universe. 

Every afrojester in the Archive is 1-of-1, just as every human exists as 1-of-1.
Once an afrojester becomes a functional object, it is never repeated.

Each Afrojester carries a unique intersection of culture, spirituality, philosophy, and science, making every piece a singular expression of thought, identity, and culture.

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Press Play is the digital and interactive world.

Through digital art, animation, games, art-tech experimentation,

Press Play invites people to watch, engage, play, and participate in the world.

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At the heart of the Afrojesters universe are Face and Flip.

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Both characters originate from the

painting Civilized for Consumption,

a work that critiques the flaws of

capitalism and the pressures it places

on creative expression.

They are paradoxical AFROJESters,

embodying the tension between creativity

and commerce.

Face represents why humans create

art in the first place, the innate desire

to explore, express, and reveal oneself.

He is the face of the playground,  where Afrojesters live, express, entertain, and expose humanity in its rawest form.

Flip is Face “flipped,” not his opposite, but his counterpart.

Where Face is creativity, Flip is structure. He is the face of the archive, where Afrojesters are organized, preserved, and made for collectors.

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- Daniella Fegbeboh, creator of Afrojesters.

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